Number 14 June 2016
The history of architectural historiography
Guest edited by Branko Mitrović
Branko Mitrović (Norwegian University of Science and Technology, Trondheim, Norway), ‘Introduction’ 14/BM1
Caterina Cardamone (UCLouvain-la-Neuve), ‘ Josef Frank and the history of architecture: Gothic and the Renaissance, Leon Battista Alberti and Albrecht Dürer in the architectural discourse on Neues Bauen at the beginning of the 1930s’ 14/CC1
Miriam Cera (Universidad Autónoma de Madrid), ‘The Noticias de los arquitectos: towards a ‘National’ definition of Spanish architecture’ 14/MC1
Braden Engel (Academy of Art University, San Francisco), ‘Ambichronous historiography: Colin Rowe and the teaching of architectural history’ 14/BE1
Johanna Gullberg (Norwegian University of Science and Technology in Trondheim, Norway), ‘Voids and bodies: August Schmarsow, Bruno Zevi and space as a historiographical theme’ 14/JG1
Nadejda Podzemskaia (CNRS (CRAL, Paris)), ‘ Publication of Renaissance architectural treatises in the Soviet Union in the 1930s: Alexander Gabrichevsky’s contribution to the theory and history of architecture’ 14/NP1
Michela Rosso (Politecnico di Torino), ‘Between history, criticism, and wit: texts and images of English modern architecture (1933-36)’ 14/MR1 Plates
Matthew Wells (Royal College of Art), ‘The practice of history: the Smithsons, Colin St John Wilson, and the writing of architectural history’ 14/MW1
Olga Yakushenko (European University Institute in Florence), ‘Anatole Kopp’s Town and Revolution as history and a manifesto: a reactualization of Russian Constructivism in the West in the 1960s’ 14/OY1
Translations:
Sedlmayr
Ian Verstegen (University of Pennsylvania), ‘Sedlmayr’s Borromini’ 14/IV1
Hans Sedlmayr, The Architecture of Borromini, Munich: Piper 1930, introduced, edited and translated by Karl Johns (Independent) 14/KJ1 Plates
Rose’s Wolfflin
Andrew Hopkins (University of L’Aquila), ‘Reprinting and republishing Wölfflin in the 1920s’ 14/AH1
Arnold Witte (University of Amsterdam and Royal Netherlands Institute in Rome), ‘”An appendix of manageable proportions”: Heinrich Wölfflin and Hans Rose between Baroque Studies and National-Socialism’ 14/AW1
Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins 14/WHR1
Review:
Branko Mitrović (Norwegian University of Science and Technology, Trondheim, Norway), ‘Visuality, intentionality and architecture’: John Searle: Seeing things as they are. Oxford: Oxford University Press, 2015 14/BM2
This journal has been recognized by the online Dictionary of Art Historians as ‘the major research organ of the field’. It is indexed by ProQuest, EBSCO, DOAJ and is linked to by the world’s leading research centres for art history. It is archived by LOCKSS and the New York Art Resources Consortium (NYARC). It has also been awarded the DOAJ Seal.
