Number 20 June 2019
General articles
Hammam Aldouri (Independent), ‘Search for a method: a reassessment of Hegel’s dialectic in art history’ 20/HA1
Csilla Markója (Hungarian Academy of Sciences), ‘ The modification of meaning: Cézanne, Hildebrand, Meier-Graefe and the problems of cultural transfer’ 20/CM1
Jacob Stewart-Halevy (Tufts University), ‘Sypher’s Cipher: ‘Paradoxes of Conduct’ in the Reception of Mannerism, 1954-1973’ 20/JSH1
Reviews
Eloise Donnelly (University of Cambridge and the British Museum), ‘A material influence imperceptibly exercised on the taste and judgement of the public’: The Burlington Fine Arts Club and the history of collecting’: Stacey J. Pierson, Private Collecting, Exhibitions, and the Shaping of Art History in London. The Burlington Fine Arts Club, London, Routledge, 2017, 222pp, 10 col. plates, 24 b. & w. illus., ISBN 978-1-138-23262-4 20/ED1
Ladislav Kesner (Masaryk University Brno), ‘Saving the humanities from evolutionary and neuroscientific imperialism’: Matthew Rampley, The Seductions of Darwin. Art, Evolution, Neuroscience, The Pennsylvania State University Press, University Park, PA 2017,189 pp., ISBN 978-0-271-07742-0 20/LK1
Aaron Kozbelt (Brooklyn College and the Graduate Center of the City University of New York), ‘Gombrich’s cosmos of thought: past and future’: Art and the Mind – Ernst H. Gombrich: Mit dem Steckenpferd unterwegs, edited by Sybille Moser-Ernst with editorial assistance by Ursula Marinelli, Göttingen, Germany: V& R unipress, 2018, 442 pp., 59 figures, ISBN 9783847107941 20/AK1
Elizabeth Mansfield (Pennsylvania State University), ‘Where centre and periphery meet: art history in Greece’: Art History in Greece: Selected Essays, edited by Evgenios D. Matthiopoulos, Athens: Melissa Publishing House, 2018, 150 pp., 22 b. & w. illus., ISBN 9789602043790 20/EM1
France Nerlich (INHA Paris), ‘The invention of the homogeneity and continuity of peoples. Or the essential ethnicization of art history’: Eric Michaud, Les Invasions barbares. Une généalogie de l’histoire de l’art, Paris: nrf essais Gallimard, 2015, 304 pages, 14 b. & w. illus., ISBN 978-2-07-012265-3 20/FN1
Alessandro Nova (Kunsthistorisches Institut in Florenz), ‘Raphael and the redefinition of art in Renaissance Italy’ In memoriam Robert Williams: Robert Williams, Raphael and the Redefinition of Art in Renaissance Italy, Cambridge: Cambridge University Press, 2017, 304 pp., 113 b. & w. illus., ISBN 978-1-107-13150-7 20/AN1
Matthew Rampley (Brno), ‘Theories of agency in art’: Horst Bredekamp, Image Acts: A Systematic Approach to Visual Agency. Translated by Elizabeth Clegg. Berlin and New York: Walter de Gruyter, 2018, 361 pp, ISBN 978-3110536300 20/MR1
Richard Read (University of Western Australia), ‘Opened eyes on Australian exhibition history’: Australian Art Exhibitions: Opening our Eyes by Joanna Mendelssohn, Catherine De Lorenzo, Alison Inglis and Catherine Speck, Melbourne, Thames & Hudson, 2018, 432 pages, 396 col. Plates, 63 b. & w. illus., ISBN 9780500501214 20/RR1
Ariane Varela Braga (University of Zurich), ‘Ornament and European Modernism: from art practice to art history’: Ornament and European Modernism. From Art Practice to Art History, by Loretta Vandi (ed.), New York and London: Routledge, 2018, 198 pp., 38 colour & b/w illus., ISBN: 978-1-138-74340-3 20/VB1
Kamini Vellodi (Edinburgh College of Art, University of Edinburgh), ‘A timely collection?’: Time in the History of Art. Temporality, chronology and anachrony, edited by Dan Karlholm and Keith Moxey, Studies in Art Historiography, New York and London: Routledge 2018, 254 pages, 50 B/W Illus, ISBN 978-0-415-34744-0, 20/KV1
This journal has been recognized by the online Dictionary of Art Historians as ‘The major serial organ for the study of art historiography. Essays, primary texts, translations. Seminal.’ It is indexed by ProQuest, EBSCO, DOAJ and is linked to by the world’s leading research centres for art history. It is archived by LOCKSS and the New York Art Resources Consortium (NYARC). It has also been awarded the DOAJ Seal.
