Translating Warhol: Guest edited by Reva Wolf (State University of New York at New Paltz)
Reva Wolf, ‘Translating Warhol: turbamento, transmutation, transference’ 26/RWf1
Jean-Claude Lebensztejn (University of Paris I—Pantheon-Sorbonne), ‘Warhol in French’ 26/J-CL1
Nina Schleif (Staatliche Graphische Sammlung München), ‘Schnecken, Schlitzmonger, and Poltergeist: Andy Warhol in German—translations and cultural context’ 26/NS1
Francesco Guzzetti (University of Florence), ‘La Filosofia di Andy Warhol and the turmoil of art in Italy, 1983’ 26/FG1
Annika Öhrner (Södertörn University), ‘Warhol in translation, Stockholm 1968: “many works and few motifs”’ 26/AO1
Elaine Rusinko (University of Maryland, Baltimore County), ‘Andy and Julia in Rusyn: Warhol’s translation of his mother in film and video’ 26/ER1
Jean Wainwright (University for the Creative Arts, Surrey), ‘Translating Warhol for television: Andy Warhol’s America’ 26/JW1
Deven M. Patel (University of Pennsylvania), ‘Translating texts, translating readers: could Andy Warhol’s writings be translated into Indian languages?’ 26/DMP1
Studies on the Cicognara Library, Part 1 of a series: Guest edited by Jeanne-Marie Musto (New York Public Library)
Jeanne-Marie Musto, Introduction 26/JMM1
Barbara Steindl (Kunsthistorisches Institut in Florenz, Max-Planck-Institut), ‘The early years of Leopoldo Cicognara’s book collection’ 26/BS1
Translation: Barbara Steindl (Kunsthistorisches Institut in Florenz, Max-Planck-Institut), ‘Collecting art books: the library of Leopoldo Cicognara and his bibliographic system’ 26/BS2
The Print in the Codex: Guest edited by Jeanne-Marie Musto (New York Public Library)
Jeanne-Marie Musto, Introduction 26/JMM2
Sarah C. Schaefer (University of Wisconsin-Milwaukee), ‘Bibles unbound: the material semantics of nineteenth-century scriptural illustration’ 26/SCS1
The Influence of the Vienna School of Art History II: The 100th Anniversary of Max Dvořák’s Death, Part 2 with the editorial assistance of Tomáš Murár (Czech Academy of Sciences)
Katja Mahnič (University of Ljubljana), ‘Max Dvořak and the founding of the “Ljubljana School of Art History”’ 26/KM1
Gaia Schlegel (Università della Svizzera italiana and the Philipps-Universität Marburg), ‘Competing images: illustrated volumes by Max Dvořák and his contemporaries shaping national Art History’ 26/GS1
General papers
Hans Bloemsma (University College Roosevelt, Middelburg), ‘Henry Moore and the historiography of early Italian art’ 26/HB1
Chiara Cecalupo (Universidad Carlos III de Madrid), ‘The study and dissemination of an iconography: banquet scenes from the catacombs of Rome to the facsimile catacombs of the nineteenth century’ 26/CC1
Samuel O’Connor Perks (Independent, Leuven), ‘Between mysticism and industry: Breuer, the Benedictines and a binder‘ 26/SOP1
Jindřich Vybíral (Academy of Arts, Architecture and Design (UMPRUM) in Prague), ‘A man of many gifts and the anti-materialistic struggle in the arts: Ferdinand Feldegg’s monographs on Friedrich Ohmann and Leopold Bauer’ 26/JV1
Amanda Wasielewski (Stockholm University), ‘Interfaces of art: Meyer Schapiro, Fernand Léger, and the role of the art historian in anachronistic artistic influence’ 26/AWa1
Alex Weintraub (Columbia University), ‘Perpetual iridescence, or Impressionism’s minor harmonies’ 26/AWe1
Tommaso Zerbi (Bibliotheca Hertziana), ‘”Neo-Medievalism Studies”, Italy, and the Four Ghosts: architectural history and the study of medievalism’ 26/TZ1
Documents
E. H. Gombrich†, ‘Reflections on teaching art history in art schools paper given, 4th January, 1966’ 26/EHG1
Jonathan Blower (Independent, London), ‘Max Dvořák, Wilhelm von Bode, and the Monuments of German Art’ 26/JB1
Tomáš Kowalski (Monuments Board of the Slovak Republic, Bratislava), ‘Conference report on: Max Dvořák and the “Denkmalpflege”, 13 October 2021, Monuments Board of the Slovak Republic’ 26/TK1
Elizabeth McGoey (Art Institute of Chicago) and Elizabeth Siegel (Art Institute of Chicago), ‘Photography and Folk Art at the Art Institute of Chicago: new models for exhibitions and scholarship’ 26/EMcG1
Discussion about Matthew Rampley, ‘Networks, horizons, centres and hierarchies: on the challenges of writing on modernism in Central Europe’, special issue of Umění: Journal of The Institute of Art History, Czech Academy of Sciences, 69:2, 2021, edited by Steven Mansbach. This journal is normally only available on subscription but the editor has kindly agreed to allow the publication of this issue for readers of Katarzyna’s review. 26/U1 (7mB file)
Reviews
Katarzyna Murawska-Muthesius (Birkbeck College, University of London), ‘The place of Modernism in Central European art’. Review of: Discussion about Matthew Rampley, ‘Networks, horizons, centres and hierarchies: on the challenges of writing on modernism in Central Europe’, special issue of Umění: Journal of The Institute of Art History, Czech Academy of Sciences, 69:2, 2021, edited by Steven Mansbach, pp. 142-215, 19 col. plates and 6 b. & w. illus., 99 CZK, ISSN 00495123 26/KMM1
Ian Verstegen (University of Pennsylvania), ‘America’s greatest empiricist’. Review of: Meyer Schapiro’s Critical Debates: Art Through a Modern American Mind by C. Oliver O’Donnell, University Park: Penn State University Press, 2019, 272pp, 36 b. & w. illus. ISBN 9780271084640 26/IV1
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