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Elizabeth Sears’ Warburgian papers on academia

4 August 2016

“A Diarist’s View: Roger Hinks on the Warburg Institute ’25 years after its settling in London,” Vorträge aus dem Warburg-Haus 12 (2015): 7-95.

“Panel 8 of Aby Warburg’s Bilderatlas: A guided pathway” – 2015

“The Warburg Institute, 1933–1944: A Precarious Experiment in Amalgamation,” Art Libraries Journal 38, no. 4 (2013): 7-15

“Encounter: The Warburgians,” Gesta 52/2 (2013): 85-87.

“Warburg Institute Archive, General Correspondence,” Common Knowledge 18.1 (Winter 2012), pp. 32-49 [Special issue: The Warburg Institute].

“Kenneth Clark and Gertrud Bing: Letters on ‘The Nude’,” The Burlington Magazine, nr. 1301 (August 2011), 530-31

“Seznec, Saxl and La Survivance des dieux antiques,” in Les Images des Dieux/Images of the Gods, ed. Rembrandt Duits and François Quiviger (London: The Warburg Institute, 2010), pp. 3-20.

“Eye Training: Goldschmidt/Wölfflin,” in Adolph Goldschmidt (1863–1944): Normal Art History im 20. Jahrhundert , ed. G. Brands and H. Dilly (Weimar: Verlag und Datenbank für Geisteswissenschaften, 2007), pp. 275–94.

“Edgar Wind on Michelangelo” in ”Edgar Wind, The Religious Symbolism of Michelangelo: The Sistine Ceiling (Oxford: Oxford University Press, 2000).

“The Life and Work of William S. Heckscher: Some Petites Perceptions.” Zeitschrift für Kunstgeschichte 53 (1990), pp. 107-34.

BOOK REVIEWS

Karen Lang, Chaos and Cosmos: On the Image in Aesthetics and Art History (Cornell, 2006). Reviewed in X-TRA: Contemporary Art Quarterly 10/1

More papers available at https://umich.academia.edu/ElizabethSears including “An Émigré Art Historian and America: H. W. Janson,” Art Bulletin 95.2 (June 2013): 219-42.

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